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Bassett, K., Griffiths, R. and Smith, I. (2002) Cultural Industries, Cultural Clusters and the City: The Example of Natural History Film-making in Bristol. Geoform. [online]. 33. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV1NS8QwEA3iQV38CzJHxQ002W2aeBF2UfwBCnsbuvmAla4K7cL6751J2vUieCk5vEnaHmbmQd6bK3Hd8t3sjyFruII4qWZYlauMpGRY31bqjrtxLTdnRIhso6VbOHues2aBXEzptKGSeine16MRBezGkRaxn8PkTgG-O7CvQA9Ev4FOB0897ENexWPLPrvwmSB7ZRK6WPl-Q9p1e7nPU59oW1hlNX83E2_PT6_rFzlOI5BeWbuU1kWiBikqY7bResWzwpdVCnUbt9T16GBVFYxLjW9doCbKWOOt88RfkjGeOOtM1GXfqf7hVzGUwN-bVvzkr8dKYf5BuKG4mxLHOpVDf4pasEaNOiYC3P8J0NhrzO6fTBKUq3E4DoR-LOip9uJYa0sNRUql_7zQDyoAjec.
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Curtin, M., Holt, J., Sanson, K. and Sutter, K. (2014) IntroductionIn: Distribution Revolution. [online]. Berkerley, University of California Press, 1–20. Available from: http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=801727.
Curtin, M. and Sanson, K. (2016) Precarious Creativity Global Media, Local Labor [online]. University of California Press. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGALDY3NTLVz9JLLikxTEvLygPvrwCvwDAzsQAdBckLOVvfwMgS2AQw5oAPkgClLU3MORlEA4D5H9h5BPaGFSCtKdDNCtwM0m6uIc4euqXlqfHQ4Y74RGCDHti7As1tQmXzEwtS8-JT8hNB7dbieEPQXkx02QLI2Q7xZgYmoCYJN4M8RBa8RjEeojErHuF-oAo5iArI_C7cAGD7xdzIzBLJAqyOAwDFOlSf.
Curtin, M. and Sanson, K. (eds.) (2017) Voices of labor: creativity, craft, and conflict in global Hollywood Oakland, California, University of California Press.
Dawes, S. (2017) British broadcasting and the public-private dichotomy: neoliberalism, citizenship and the public sphere [online]. Cham, Switzerland, Palgrave Macmillan. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319500973.
Doyle, G.S., Schlesinger, P., Boyle, R. and Kelly, L. (2015) The Rise and Fall of the UK Film Council [online]. Edinburgh, Edinburgh University Press. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEGdZVNLMwsLYyMIzigMW1kbGoMqgk5GTSAoaEATM6pCsCOs0JaYk6OQn6aAlC_Qqi3gltmTq4CaG92cmYON4O0m2uIs4duaXlqPHRoIz4R2Bq3sDQHzRrjkwUAEC8qow.
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Finney, A. and Triana, E. (2015) The international film business: a market guide beyond Hollywood Second edition. [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781136295027.
Forrester, P. (2015) A Tour of the Indies2015 [online]. Available from: http://www.aboholife.com/2015/03/20/a-creative-quest-for-the-uks-best-cinemas/.
Freeman, M. (2016) Industrial Approaches to Media: A Methodological Gateway to Industry Studies 1st ed. 2016. [online]. Basingstoke, Palgrave Macmillan. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHKtkaGwOrJvNzUw4GeQQl1IowA7OTi1WKMlXAG-W4GaQdnMNcfbQLS1PjYeOYcQnAlvpxsamoEsI8MkCABHoJTg.
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Hanson, S. (2006) From Silent Screen to Multi-screen: A History of Cinema Exhibition in Britain Since 1896 [online]. Manchester, Manchester University Press. Available from: http://ezproxy.uwe.ac.uk/login?url=https://www.manchesterhive.com/view/9781526141446/9781526141446.xml.
Hark, I.R. (2001) Exhibition, the Film Reader London, Taylor & Francis Ltd.
Harrod, M., Liz, M. and Timoshkina, A. (eds.) (2015) The Europeanness of European cinema: identity, meaning, globalisation [online]. London, I.B. Tauris. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781786739667.
Hartley, J., Wen, W. and Siling, H. (2015) Creative economy and culture: challenges, changes and futures for the creative industries [online]. Los Angeles, SAGE. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781473911833.
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Holt, J. and Sanson, K. (2014b) Connected viewing: selling, streaming, & sharing media in the digital era [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203067994.
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Ilott, T. (2013) Budgets and Markets: Study of the Budgeting of European Films [online]. Routledge. Available from: https://www-taylorfrancis-com.ezproxy.uwe.ac.uk/books/mono/10.4324/9780203350720/budgets-markets-terry-ilott.
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McDonald, P. and Wasko, J. (2007) The Contemporary Hollywood Film Industry Chicester, John Wiley and Sons Ltd.
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Meir, C. (2009) The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema. Historical Journal of Film, Radio and Television. [online]. 29 (4), pp.467–481. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV1NS8QwEC2eVPAvyKh4s5B2-pHqcXHRPYkf55CmKSy0i7Q56L93JmnXdWX1_pI2IZnJzCTvnUZnmu9mb5x_w9VEUyWR-azJN1eF5MxAIoUs8ci__MljzHLaU3zVEGMC5MdbU4qiOonWNGPw5AlQ7QB6hBeynWOvN7ewsoPtPyFcprmB5brrGRkUcIBicdgleQJv_-csGzxuhWYdLOhMx0Srb8v718VDPAkRxAbJJcaZLYShc0-KdSmbRpZtg4WRSVtIFrjTIrFZbSoUdSa1qURjsTaeOl1y2YqFlyH0O5t7Na2UUaWCMy-s2XUeIOwYFK8uN2ijKGJgTj7BtIZJAMzuU70HPgqVzDSf-_NLba72vqtrzqAYNyrql07Wecol98uDKH6pi9Q5gS4Ogr7HcD394o8KPiFt16lnDs8oIGYlibuA2yWHVc6nKNqgJ_LnoMp_W_9qpdyHwy9Tl8Y_.
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