Ang (1991) Desperately seeking the audience [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781134940424.
Arthurs, J. (2004) Television and sexuality: regulation and the politics of taste [online]. Issues in cultural and media studies, Maidenhead, Open University Press. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHHID2toDrCzA1_kZmZuDTqS1NOWADYaAKl5gaudkkAiB76pWAPakFYrB5w4D26PcDNJuriHOHrql5anx0JGN-EQjQ2PQ3k9j_LIAFuQoYA.
Aston, J., Gaudenzi, S. and Rose, M. (eds.) (2017) i-Docs: the evolving practices of interactive documentary [online]. Nonfictions, London, Wallflower Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231851077.
Creeber, G. (ed.) (2015) The television genre book 3rd edition. [online]. London, Palgrave. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781844578986.
Davis, G. and Dickinson, K. (2004) Teen TV: genre, consumption, identity London, British Film Institute.
Evans, E., Coughlan, T. and Coughlan, V. (2017) Building digital estates. Critical Studies in Television: The International Journal of Television Studies. [online]. 12 (2), pp.191–205.
Feasey, R. (2008) Masculinity and popular television [online]. Edinburgh, Edinburgh University Press. Available from: http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258122.
Forrest, D. and Johnson, B. (eds.) (2017) Social class and television drama in contemporary Britain Basingstoke, Palgrave Macmillan.
Grainge, P. (2017) ‘Moments and opportunities’. Critical Studies in Television: The International Journal of Television Studies. [online]. 12 (2), pp.139–155.
Hidden Love: Animal Passions (Documentary) - Real Stories. (12AD) [online]. Available from: https://www.youtube.com/watch?v=igm0JRDRGas.
Jenkins, H. (no date) Convergence culture: where old and new media collide [online]. New York, New York University Press. Available from: http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918.
Jenkins, H. (no date) Convergence culture: where old and new media collide [online]. New York, New York University Press. Available from: http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918.
Johnson, C. (2017) Beyond catch-up. Critical Studies in Television: The International Journal of Television Studies. [online]. 12 (2), pp.121–138.
Johnson, C. (2011) Branding television [online]. London, Routledge. Available from: http://www.vlebooks.com/Vleweb/Product/Index/2052846?page=0.
Murray, S. and Ouellette, L. (2009) Reality TV: remaking television culture 2nd ed. [online]. New York, New York University Press. Available from: http://www.vlebooks.com/Vleweb/Product/Index/714306?page=0.
Newcomb, H. (2005) Studying Television: Same Questions, Different Contexts. Cinema Journal. [online]. 45 (1), pp.107–111.
PolyU ELC (9ADa) Academic Report: Overall Structure [online]. Available from: https://www.youtube.com/watch?v=1hNC_me9aVM.
PolyU ELC (9ADb) Academic Report: Overall Structure [online]. Available from: https://www.youtube.com/watch?v=1hNC_me9aVM.
Richardson, N. and Wearing, S. (2014) Gender in the media [online]. Key concerns in media studies, Basingstoke, Palgrave Macmillan. Available from: https://bibliu.com/users/saml/samlBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMzUwMzA2NTIzL2VwdWIvT0VCUFMvY29udGVudHMuaHRtbCJ9.
Sri Lanka’s Killing Fields: War Crimes Unpunished. (no date) [online]. Channel 4. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F026A3BB6%3Fbcast%3D80929752.
Sri Lanka’s Killing Fields: War Crimes Unpunished. (no date) [online]. Channel 4. Available from: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01D13D85%3Fbcast%3D65876885.
Thiago Canguçu (4AD) How Facebook Changed the World -- the story of the Arab Spring episode 1 [online]. Available from: https://www.youtube.com/watch?v=VCdIOch2970.
Weissmann, E. (2017) Watching : A study of British audiences watching Channel 5 and 5 USA. Critical Studies in Television: The International Journal of Television Studies. [online]. 12 (2), pp.174–190.
Williams, R. and Williams, E. (2003) Television: technology and cultural form [New] ed. [online]. Routledge classics, London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203426647.
Wilson, S (2012) Dramatising madness: In two minds and 1960s counter-cultural politics. Gylphi Limited.
Wilson, S. (2016) In the Living Room. Television & New Media. [online]. 17 (2), pp.174–191.
