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Astruc, A. (no date) The Birth of a New Avant-Garde: La Caméra-Stylo [online]. Available from: http://www.newwavefilm.com/about/camera-stylo-astruc.shtml.
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Bazin, A. (2011) Andre Bazin and Italian Neorealism Cardullo, B. (ed.) London, Continuum.
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Bazin, A., Truffaut, F. and Hochman, S. (1981) French Cinema of the occupation and resistance: the birth of a critical esthetic Frederick Ungar Publishing Co.
Bell, M. (no date) Film Criticism as ‘Women’s Work’: The Gendered Economy of Film Criticism in Britain, 1945-65. Historical Journal of Film, Radio and Television. [online]. 31 (2), Routledge Publishing, pp.191–209. Available from: http://www.tandfonline.com/doi/abs/10.1080/01439685.2011.572605.
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Braudy, L. and Cohen, M. (2016) Film theory and criticism: introductory readings 8th ed. Oxford, Oxford University Press.
Buckland, W. (2012) Solipsistic Film Criticism: Review of The Language and Style of Film Criticism. New Review of Film and Television Studies. [online]. 10 (2), pp.288–298. Available from: http://www.tandfonline.com/doi/abs/10.1080/17400309.2012.672128.
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Cavell, S. (1980) The World Viewed: Reflections on the Ontology of Film Enl. ed. London, Harvard University Press.
Davis, G., Dickinson, K., Patti, L. and Villarejo, A. (2015) Film Studies: A Global Introduction [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317623380.
Frames Cinema Journal. (no date) [online]. Available from: http://framescinemajournal.com/.
Frey, M. (2015a) Introduction: Critical QuestionsIn: Frey, M. and Sayad, C. (eds.) Film Criticism in the Digital Age. New Brunswick, NJ, Rutgers University Press, 1–20.
Frey, M. (2015b) The Permanent Crisis of Film Criticism: The Anxiety of Authority [online]. Film theory in media history, Amsterdam, Amsterdam University Press. Available from: http://www.oapen.org/search?identifier=576930.
Frey, M. (2015c) The Spectre of ‘Democraticization’ in the Digital AgeIn: The Permanent Crisis of Film Criticism: The Anxiety of Authority. [online]. Film theory in media history, Amsterdam, Amsterdam University Press. Available from: http://www.oapen.org/search?identifier=576930.
Frey, M. and Sayad, C. (eds.) (2015) Film Criticism in the Digital Age New Brunswick, NJ, Rutgers University Press.
Gaut, B. (2010) A Philosophy of Cinematic Art [online]. Cambridge, Cambridge University Press. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781107209619.
Gibbs, J. (2013) The Life of Mise-en-scene: Visual Style and British Film Criticism, 1946-78 [online]. Manchester, Manchester University Press. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781526103130.
Gorfinkel, E. (no date) Cult Film or Cinephilia by Any Other Name. Cineaste. [online]. 34 (1), pp.33–38. Available from: https://search-proquest-com.ezproxy.uwe.ac.uk/docview/204859112/fulltextPDF/1AE456AA49BD4260PQ/8?accountid=14785.
Graham, P.J. and Vincendeau, G. (eds.) (2009) The French New Wave: Critical Landmarks New ed. London, BFI.
Grant, B.K. (ed.) (2008) Auteurs and Authorship: A Film Reader Oxford, Blackwell.
Hagener, M. (2016) Cinephilia and Film Culture in the Age of Digital NetworksIn: Hagener, M., Hediger, V. and Strohmaier, A. (eds.) The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination. [online]. London, Palgrave Macmillan, 181–194. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529398.
Hubner, L. (ed.) (2011) Valuing Films: Shifting Perceptions of Worth [online]. Basingstoke, Palgrave Macmillan. Available from: https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9780230305854.
Hunter, I.Q. (2013a) British Trash CinephiliaIn: British Trash Cinema. Basingstoke, Palgrave Macmillan.
Hunter, I.Q. (2013b) British Trash CinephiliaIn: British Trash Cinema. Basingstoke, Palgrave Macmillan.
Jim, H. (1986) IntroductionIn: Cahiers du Cinema. London, Taylor & Francis Ltd, 1–17.
Keathley, C. (2006a) Cinephilia and History: Or, The Wind in the Trees [online]. Bloomington, Indiana University Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780253111470.
Keathley, C. (2006b) Cinephilia and History: or, The Wind in the Trees [online]. Bloomington, Indiana University Press. Available from: https://www.dawsonera.com/abstract/9780253111470.
Keathley, C. (2006c) Cinephilia and history, or, The wind in the trees [online]. Bloomington, Indiana University Press. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253111470.
Keathley, C. (2006d) Extracts from Cinephilia and History: pp 13-14, 54-57, 82-96In: Cinephilia and History, or The Wind in the Trees. Bloomington, IN, Indiana University Press, 13–96.
Keathley, C. (2011) La Caméra-stylo: Notes on Video Criticism and CinephiliaIn: Klevan, A. and Clayton, A. (eds.) The Language and Style of Film Criticism. [online]. London, Routledge, 176–191. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203817315.
Keathley, C. (no date) The Cinephiliac Moment. Framework: The Journal of Cinema and Media. [online]. 42 (Double). Available from: http://docs.wixstatic.com/ugd/32cb69_3ba21383aae34be5a6869fe8e4342f84.pdf.
Keathley, C. and Mittell, J. (2016) The Videographic Essay: Criticism in Sound and Image 9, Montreal, Caboose.
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Klevan, A. and Clayton, A. (2011a) Introduction: The Language and Style of Film CriticismIn: The Language and Style of Film Criticism. [online]. London, Routledge, 1–26. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203817315.
Klevan, A. and Clayton, A. (2011b) The Language and Style of Film Criticism [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203817315.
Kracauer, S. (1997) Theory of Film: The Redemption of Physical Reality rev. pbk. ed. Princeton, Princeton University Press.
Lavik, E. (2012) 14. Core reading 1: The Video Essay: The Future of Academic Film and Television Criticism? Frames Cinema Journal. [online]. (1). Available from: http://framescinemajournal.com/article/the-video-essay-the-future/.
Little White Lies. (no date) [online]. Available from: http://lwlies.com/.
Martin, A. (2008) Light My Fire: The Geology and Geography of Film Canons. Film Critic: Adrian Martin. [online]. Available from: http://www.filmcritic.com.au/essays/canons.html.
Martin, A. (no date) What’s Cult Got To Do With It?: In Defense of Cinephile Elitism. Cineaste. [online]. 34 (1), pp.39–42. Available from: https://search-proquest-com.ezproxy.uwe.ac.uk/docview/204859030/fulltextPDF/AE9F53E8773E4CE1PQ/9?accountid=14785.
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McWhirter, A. (2016) Film criticism and digital cultures: journalism, social media and the democratisation of opinion [online]. International library of the moving image, London, I.B. Tauris. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781786730398.
Mcwhirter, A. (2015) Film Criticism, Film Scholarship and the Video Essay. Screen. [online]. 56 (3), pp.369–377.
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Toles, G.E. (2001) A house made of light: essays on the art of film Detroit, Wayne State University Press.
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Wollen, P. (1ADb) Films: Why Do Some Survive and Others Disappear? Sight and Sound. [online]. 3 (5), pp.26–28. Available from: https://search-proquest-com.ezproxy.uwe.ac.uk/docview/1305525794/fulltextPDF/E61E17EA45FA42FBPQ/1?accountid=14785.
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Wroot, J. and Willis, A. (eds.) (2017a) Cult media: re-packaged, re-released and restored [online]. Basingstoke, Palgrave Macmillan. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319636795.
Wroot, J. and Willis, A. (eds.) (2017b) Cult media: re-packaged, re-released and restored [online]. Basingstoke, Palgrave Macmillan. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319636795.
Wroot, J. and Willis, A. (eds.) (27AD) DVD, Blu-ray and Beyond: Navigating Formats and Platforms within Media Consumption [online]. Palgrave Macmillan; 1st ed. 2017 edition. Available from: https://www.amazon.co.uk/DVD-Blu-ray-Beyond-Navigating-Consumption/dp/3319627570/ref=sr_1_1?ie=UTF8&qid=1512828134&sr=8-1&keywords=wroot+willis+dvd.
