Andrew D and Joubert-Laurencin H (eds), Opening Bazin: Postwar Film Theory and Its Afterlife (Oxford University Press 2011) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780199792351>
Arnheim R, Film as Art (Faber 1958)
Astruc A, ‘The Birth of a New Avant-Garde: La Caméra-Stylo’ <http://www.newwavefilm.com/about/camera-stylo-astruc.shtml>
Balász B, Theory of the Film: Character and Growth of a New Art (Dennis Dobson 1952) <https://archive.org/details/theoryofthefilm000665mbp>
Bazin A, ‘The Ontology of the Photographic Image’, What Is Cinema?: Volume 1 ([New ed], University of California Press 2005) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780520931251>
——, What Is Cinema?: Volume 1 ([New ed], University of California Press 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520931251>
——, What Is Cinema?: Volume 2 (New ed, University of California Press 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520931268>
——, ‘The Evolution of Film Language’ in Peter Graham and Ginette Vincendeau (eds), The French New Wave: Critical Landmarks (Translated by Peter Graham, BFI 2009)
Bazin A, Andre Bazin and Italian Neorealism (Bert Cardullo ed, Continuum 2011)
Bazin A, Truffaut F and Hochman S, French Cinema of the Occupation and Resistance: The Birth of a Critical Esthetic (Frederick Ungar Publishing Co 1981)
Bell M, ‘Film Criticism as “Women’s Work”: The Gendered Economy of Film Criticism in Britain, 1945-65’ 31 Historical Journal of Film, Radio and Television 191 <http://www.tandfonline.com/doi/abs/10.1080/01439685.2011.572605>
Bosma P, Film Programming: Curating for Cinemas, Festivals, Archives (Wallflower 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850827>
Braudy L and Cohen M, Film Theory and Criticism: Introductory Readings (8th ed, Oxford University Press 2016)
Buckland W, ‘Solipsistic Film Criticism: Review of The Language and Style of Film Criticism’ (2012) 10 New Review of Film and Television Studies 288 <http://www.tandfonline.com/doi/abs/10.1080/17400309.2012.672128>
Carroll N, On Criticism, vol Thinking in action (Routledge 2009) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781134221301>
Cavell S, The World Viewed: Reflections on the Ontology of Film (Enl ed, Harvard University Press 1980)
Davis G and others, Film Studies: A Global Introduction (Routledge 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317623380>
‘Frames Cinema Journal’ <http://framescinemajournal.com/>
Frey M, ‘Introduction: Critical Questions’ in Mattias Frey and Cecilia Sayad (eds), Film Criticism in the Digital Age (Rutgers University Press 2015)
——, The Permanent Crisis of Film Criticism: The Anxiety of Authority, vol Film theory in media history (Amsterdam University Press 2015) <http://www.oapen.org/search?identifier=576930>
——, ‘The Spectre of “Democraticization” in the Digital Age’, The Permanent Crisis of Film Criticism: The Anxiety of Authority, vol Film theory in media history (Amsterdam University Press 2015) <http://www.oapen.org/search?identifier=576930>
Frey M and Sayad C (eds), Film Criticism in the Digital Age (Rutgers University Press 2015)
Gaut B, A Philosophy of Cinematic Art (Cambridge University Press 2010) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781107209619>
Gibbs J, The Life of Mise-En-Scene: Visual Style and British Film Criticism, 1946-78 (Manchester University Press 2013) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781526103130>
Gorfinkel E, ‘Cult Film or Cinephilia by Any Other Name’ 34 Cineaste 33 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/204859112/fulltextPDF/1AE456AA49BD4260PQ/8?accountid=14785>
Graham PJ and Vincendeau G (eds), The French New Wave: Critical Landmarks (New ed, BFI 2009)
Grant BK (ed), Auteurs and Authorship: A Film Reader (Blackwell 2008)
Hagener M, ‘Cinephilia and Film Culture in the Age of Digital Networks’ in Malte Hagener, Vinzenz Hediger and Alena Strohmaier (eds), The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination (Palgrave Macmillan 2016) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529398>
Hubner L (ed), Valuing Films: Shifting Perceptions of Worth (Palgrave Macmillan 2011) <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&amp;target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9780230305854>
Hunter IQ, ‘British Trash Cinephilia’, British Trash Cinema (Palgrave Macmillan 2013)
——, ‘British Trash Cinephilia’, British Trash Cinema (Palgrave Macmillan 2013)
Jim H, ‘Introduction’, Cahiers du Cinema (Taylor & Francis Ltd 1986)
Keathley C, Cinephilia and History: Or, The Wind in the Trees (Indiana University Press 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780253111470>
——, Cinephilia and History: Or, The Wind in the Trees (Indiana University Press 2006) <https://www.dawsonera.com/abstract/9780253111470>
——, Cinephilia and History, or, The Wind in the Trees (Indiana University Press 2006) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253111470>
——, ‘Extracts from Cinephilia and History: Pp 13-14, 54-57, 82-96’, Cinephilia and History, or The Wind in the Trees (Indiana University Press 2006)
——, ‘La Caméra-Stylo: Notes on Video Criticism and Cinephilia’ in Andrew Klevan and Alex Clayton (eds), The Language and Style of Film Criticism (Routledge 2011) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203817315>
——, ‘The Cinephiliac Moment’ 42 Framework: The Journal of Cinema and Media <http://docs.wixstatic.com/ugd/32cb69_3ba21383aae34be5a6869fe8e4342f84.pdf>
Keathley C and Mittell J, The Videographic Essay: Criticism in Sound and Image, vol 9 (Caboose 2016)
Kessler F, Mise En Scene, vol 6 (Caboose 2014)
Klevan A and Clayton A, ‘Introduction: The Language and Style of Film Criticism’, The Language and Style of Film Criticism (Routledge 2011) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://athensla.uwe.ac.uk/oala/metadata&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203817315>
——, The Language and Style of Film Criticism (Routledge 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203817315>
Kracauer S, Theory of Film: The Redemption of Physical Reality (rev pbk ed, Princeton University Press 1997)
Lavik E, ‘14. Core Reading 1: The Video Essay: The Future of Academic Film and Television Criticism?’ [2012] Frames Cinema Journal <http://framescinemajournal.com/article/the-video-essay-the-future/>
‘Little White Lies’ <http://lwlies.com/>
Martin A, ‘Light My Fire: The Geology and Geography of Film Canons’ [2008] Film Critic: Adrian Martin <http://www.filmcritic.com.au/essays/canons.html>
——, ‘What’s Cult Got To Do With It?: In Defense of Cinephile Elitism’ 34 Cineaste 39 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/204859030/fulltextPDF/AE9F53E8773E4CE1PQ/9?accountid=14785>
Mathijs E and Sexton J, Cult Cinema: An Introduction (Wiley-Blackwell 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781444396423>
Mcwhirter A, ‘Film Criticism, Film Scholarship and the Video Essay’ (2015) 56 Screen 369
McWhirter A, Film Criticism and Digital Cultures: Journalism, Social Media and the Democratisation of Opinion, vol International library of the moving image (IB Tauris 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781786730398>
Moore N, ‘“Introduction” (Pp Vii-Xv) and “Introducing Research Methods” (Pp. 103-105)’, How to Do Research: A Practical Guide to Designing and Managing Research Projects (3rd, rev. ed edn, Facet 2006) <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&amp;target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781856049825>
‘Movie: A Journal of Film Criticism’ <http://www2.warwick.ac.uk/fac/arts/film/movie/>
‘MUBI Notebook’ <https://mubi.com/notebook>
‘New Wave Film.Com’ <http://www.newwavefilm.com/about/index.shtml>
Perkins C and Verevis C (eds), B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value (SUNY Press 2014)
‘Project: New Cinephilia - Resources’ <https://web.archive.org/web/20150427055616/http://projectcinephilia.mubi.com/resources/#content>
Rich BR, ‘New Queer Cinema’ (1AD) 2 Sight and sound (London) 31 <https://search.proquest.com/docview/1305507166/abstract/EA384B6B6AC441C7PQ/13?accountid=14785>
Rosenbaum J, Goodbye Cinema, Hello Cinephilia: Film Culture in Transition (University of Chicago Press 2010) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780226726663>
Rosenbaum J and Martin A, Movie Mutations: The Changing Face of World Cinephilia (BFI 2003)
Sconce J, ‘“Trashing” the Academy: Taste, Excess, and an Emerging Politics of Cinematic Style’ (1995) 36 Screen 371
Shambu G, The New Cinephilia, vol 8 (Caboose 2014)
——, The New Cinephilia, vol 8 (Caboose 2014)
——, The New Cinephilia, vol 8 (Caboose 2014)
‘Sight & Sound’ <http://www.bfi.org.uk/news-opinion/sight-sound-magazine>
Smuts A, ‘Cinematic’ (2013) 23 The Nordic Journal of Aesthetics 78 <http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=101352216&site=ehost-live>
Sontag S, ‘The Decay of Cinema’ [25AD] New York Times <http://partners.nytimes.com/books/00/03/12/specials/sontag-cinema.html>
Staiger J, ‘The Politics of Film Canons’ 24 Cinema journal 4 <http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&amp;ctx_enc=info%3Aofi%2Fenc%3AUTF-8&amp;rfr_id=info%3Asid%2Fsummon.serialssolutions.com&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=The+politics+of+film+canons&amp;rft.jtitle=Cinema+Journal&amp;rft.au=Staiger%2C+Janet&amp;rft.date=1985-04-01&amp;rft.pub=Federation+Internationale+des+Archives+%28FIAF%29&amp;rft.issn=0009-7101&amp;rft.eissn=1527-2087&amp;rft.volume=XXIV&amp;rft.issue=3&amp;rft.spage=4&amp;paramdict=en-UK>
Stringer J, ‘Raiding the Archive: Film Festivals and the Revival of Classic Hollywood’ in Paul Grainge (ed), Memory and Popular Film (Manchester University Press 2003) <http://www.oapen.org/search?identifier=341357>
‘The Audiovisual Essay: Practice and Theory in Videographic Film and Moving Image Studies’ <http://reframe.sussex.ac.uk/audiovisualessay/>
‘The Cine-Files’ <http://www.thecine-files.com/past-issues/>
Toles GE, A House Made of Light: Essays on the Art of Film (Wayne State University Press 2001)
Tryon C, ‘Toppling the Gates: Blogging as Networked Film Criticism’, Reinventing Cinema: Movies in the Age of Media Convergence (Rutgers University Press 2009)
Turner G, Film as Social Practice (4th ed, Routledge 2006) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203461952>
Valck M de and Hagener M (eds), Cinephilia: Movies, Love and Memory, vol Film culture in transition (Amsterdam University Press 2005) <https://www.cambridge.org/core/books/cinephilia/97C4028641EA294E811E96AFF72F6FAD>
Villarejo A, Film Studies: The Basics, vol The Basics (Second edition, Routledge, Taylor & Francis Group 2013) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781135011772>
Wilson S, ‘Michael Giacchino Interview: The Art of Scoring Movies’ (Den of Geek) <http://www.denofgeek.com/uk/movies/michael-giacchino/51899/michael-giacchino-interview-the-art-of-scoring-movies>
Wollen P, ‘Films: Why Do Some Survive and Others Disappear?’ (1AD) 3 Sight and Sound 26 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/1305525794/fulltextPDF/E61E17EA45FA42FBPQ/1?accountid=14785>
——, ‘Films: Why Do Some Survive and Others Disappear?’ (1AD) 3 Sight and Sound 26 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/1305525794/fulltextPDF/E61E17EA45FA42FBPQ/1?accountid=14785>
——, ‘Through a Glass Darkly: Cinephilia Reconsidered’, Looks and Frictions: Essays in Cultural Studies and Film Theory (BFI 1993)
Wood R, ‘Responsibilities of a Gay Film Critic’ 14 Film Comment 12 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/210232621/fulltextPDF/93E506883FC14C4DPQ/1?accountid=14785>
Wroot J and Willis A (eds), DVD, Blu-Ray and Beyond: Navigating Formats and Platforms within Media Consumption (Palgrave Macmillan; 1st ed 2017 edition 27AD) <https://www.amazon.co.uk/DVD-Blu-ray-Beyond-Navigating-Consumption/dp/3319627570/ref=sr_1_1?ie=UTF8&amp;qid=1512828134&amp;sr=8-1&amp;keywords=wroot+willis+dvd>
Wroot J and Willis A (eds), Cult Media: Re-Packaged, Re-Released and Restored (Palgrave Macmillan 2017) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319636795>
—— (eds), Cult Media: Re-Packaged, Re-Released and Restored (Palgrave Macmillan 2017) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319636795>