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———. ‘The Producer as Auteur’. In Auteurs and Authorship, 180–89. Chicester: John Wiley and Sons Ltd, 2008.
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Bosma, Peter. Film Programming: Curating for Cinemas, Festivals, Archives. Wallflower Press, 2015. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEG9oSAbQhgw9fU0oQDPvoBrHaBlRsng41bZk6uQgBkLVIusLRW0FVwLgV5HsgENtsUnIGNrdzEYh0FN9CpE8DQBzJhh7JyM0i7uYY4e-iWlqfGQ4c74hOBDXpjY3PQbcf4ZAEVQDIg.
———. Film Programming: Curating for Cinemas, Festivals, Archives. Wallflower Press, 2015. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEG9oSAbQhgw9fU0oQDPvoBrHaBlRsng41bZk6uQgBkLVIusLRW0FVwLgV5HsgENtsUnIGNrdzEYh0FN9CpE8DQBzJhh7JyM0i7uYY4e-iWlqfGQ4c74hOBDXpjY3PQbcf4ZAEVQDIg.
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Crisp, Virginia, and Gabriel Menotti Gonring. Besides the Screen: Moving Images Through Distribution, Promotion and Curation. Basingstoke: Palgrave Macmillan, 2015. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137471024.
Cunningham, Stuart, and Jon Silver. Screen Distribution and the New King Kongs of the Online World. Vol. Palgrave pivot. Basingstoke: Palgrave Macmillan, 2013. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137326454.
Curtin, Michael, Jennifer Holt, and Kevin Sanson, eds. Distribution Revolution: Conversations about the Digital Future of Film and Television. Berkeley: University of California Press, 2014. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=801727.
———, eds. Distribution Revolution: Conversations about the Digital Future of Film and Television. Oakland, California: University of California Press, 2014.
Curtin, Michael, Jennifer Holt, Kevin Sanson, and Kurt Sutter. ‘Introduction’. In Distribution Revolution, 1–20. Berkerley: University of California Press, 2014. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=801727.
Curtin, Michael, and Kevin Sanson. Precarious Creativity Global Media, Local Labor. University of California Press, 2016. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGALDY3NTLVz9JLLikxTEvLygPvrwCvwDAzsQAdBckLOVvfwMgS2AQw5oAPkgClLU3MORlEA4D5H9h5BPaGFSCtKdDNCtwM0m6uIc4euqXlqfHQ4Y74RGCDHti7As1tQmXzEwtS8-JT8hNB7dbieEPQXkx02QLI2Q7xZgYmoCYJN4M8RBa8RjEeojErHuF-oAo5iArI_C7cAGD7xdzIzBLJAqyOAwDFOlSf.
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Dawes, Simon. British Broadcasting and the Public-Private Dichotomy: Neoliberalism, Citizenship and the Public Sphere. Cham, Switzerland: Palgrave Macmillan, 2017. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319500973.
Doyle, Gillian Schles, Philip Schlesinger, Raymond Boyle, and Lisa Kelly. The Rise and Fall of the UK Film Council. Edinburgh: Edinburgh University Press, 2015. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEGdZVNLMwsLYyMIzigMW1kbGoMqgk5GTSAoaEATM6pCsCOs0JaYk6OQn6aAlC_Qqi3gltmTq4CaG92cmYON4O0m2uIs4duaXlqPHRoIz4R2Bq3sDQHzRrjkwUAEC8qow.
Drake, Graham. ‘“This Place Gives Me Space”: Place and Creativity in the Creative Industries’. Geoforum 34, no. 4 (November 2003): 511–24. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV2xasMwEBUhQ9PQXygaE4pAOUWWnaVDaemYIZ2PWJbaDA0BO5Axn9H-Xr6kd5KdLoUuBtt3Rjb2PT_u7t2tuNtybfa-Sz1cjbh2zXBX7qJQFAztTJu5TpUXekSEqHSgKlOV4xQ1s8nNEE4dQepErC_nr83HrpWpVEm-syar_AySPjsfLufvVX-C6LfMv1s8ekHu9pLWMhwJtJ_nYYR2Kt5enjdPr6qfOaA8K5MpYxtbBxblKW3hYoj0xsd6SaBagPY1pxGDBRdqiupENmDpOXHhIVYNRHIzU2HzdQeUw0OWjcDfeire8j2iNpgeA_LMrvvsx90ox_bqZRxr-FWcGH_40wCwBdRIVAeIqhXOYXfqyPoxWw8Iiz2iZqRECpj_LOgHDQuEAQ.
Drake, Philip, Paul McDonald, Emily Carman, and Eric Hoyt, eds. Hollywood and the Law. London: Palgrave, 2015. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781844579297.
Finney, Angus, and Eugenio Triana. The International Film Business: A Market Guide beyond Hollywood. Second edition. London: Routledge, 2015. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781136295027.
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Hanson, Stuart. From Silent Screen to Multi-Screen: A History of Cinema Exhibition in Britain Since 1896. Manchester: Manchester University Press, 2006. http://ezproxy.uwe.ac.uk/login?url=https://www.manchesterhive.com/view/9781526141446/9781526141446.xml.
Hark, Ina Rae. Exhibition, the Film Reader. London: Taylor & Francis Ltd, 2001.
Harrod, Mary, Mariana Liz, and Alissa Timoshkina, eds. The Europeanness of European Cinema: Identity, Meaning, Globalisation. London: I.B. Tauris, 2015. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781786739667.
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Hill, John. ‘Living with Hollywood: British Film Policy and the Definition of “Nationality”’. International Journal of Cultural Policy 22, no. 5 (19 October 2016): 706–23. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV3BTsMwDK04MRDfQKQh7RRo2jSJuHBAoB0QJzhHSZNIlcaYtPL_-DXJhLjsbreW5fbZlv181dw4zGbv52WHKzRla8a0D8AyAjisPwl1Lzpwl6sLbP9ozQnmKExXkOEQuqxVE6nKVfP-NqHAZuhOsi3OMGMk5ZEV6h-Wpt0XOyxUuoxKcEYWsBDTtF8Gn9h3YpvaXaPsdnPdfL6-fDxvebk4wMdOt5on7wnQAxU5fdROBtG2AUy-wzgEF2MEG9sQVe-S0CYR2Ekz-mQodH0vh4Tru-v83PpftyUkjpa-HeQrSoChcMhSFQntIVNLWFEYO6urLFxli6tI7zbrYWPl53jSoizFIHXB8fe7f-93Hi2Tcc4GSK2E6s6Knex8ymJ_SVztvLQSUr77ccbiX29Ul3U.
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Iordanova, Dina, and Stuart Cunningham. Digital Disruption: Cinema Moves On-Line. St Andrews: St Andrews Film Studies, 2012.
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McDonald, Kevin, and Daniel Smith-Rowsey, eds. The Netflix Effect: Technology and Entertainment in the 21st Century. New York: Bloomsbury Academic, 2016. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781501309427.
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Moran, Albert, and Karina Aveyard. ‘Introduction’. In Watching Films. Bristol: Intellect Books, 2013. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781783200429.
———. Watching Films: New Perspectives on Movie-Going, Exhibition and Reception. Bristol: Intellect Books, 2013. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781783200429.
Perren, Alisa. Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s. Austin: University of Texas Press, 2013.
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———. Movie Wars: How Hollywood and the Media Limit What Movies We Can See. Los Angeles, CA: A Cappella Books, 2002.
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