Alejandro Pardo, ‘The Film Producer as a Creative Force’ (2010) 2 Wide Screen <http://widescreenjournal.org/index.php/journal/article/view/23/25>
Atkinson S, Beyond the Screen: Emerging Cinema and Engaging Audiences (Bloomsbury Academic 2015) <https://www.screenstudies.com/encyclopedia?docid=b-9781628929966>
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Bakoy E, Puijik R and Spicer A, Building Successful and Sustainable Film and Television Businesses: A Cross-National Perspective (Intellect 2017) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781783208227>
Bakoy E, Puijk R and Spicer A (eds), Building Successful and Sustainable Film and Television Businesses: A Cross-National Perspective (Intellect 2017)
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Banks MJ, Conor B and Mayer V (eds), Production Studies, the Sequel!: Cultural Studies of Global Media Industries (Routledge, Taylor & Francis Group 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317567110>
Bassett K, Griffiths R and Smith I, ‘Cultural Industries, Cultural Clusters and the City: The Example of Natural History Film-Making in Bristol’ (2002) 33 Geoform <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV1NS8QwEA3iQV38CzJHxQ002W2aeBF2UfwBCnsbuvmAla4K7cL6751J2vUieCk5vEnaHmbmQd6bK3Hd8t3sjyFruII4qWZYlauMpGRY31bqjrtxLTdnRIhso6VbOHues2aBXEzptKGSeine16MRBezGkRaxn8PkTgG-O7CvQA9Ev4FOB0897ENexWPLPrvwmSB7ZRK6WPl-Q9p1e7nPU59oW1hlNX83E2_PT6_rFzlOI5BeWbuU1kWiBikqY7bResWzwpdVCnUbt9T16GBVFYxLjW9doCbKWOOt88RfkjGeOOtM1GXfqf7hVzGUwN-bVvzkr8dKYf5BuKG4mxLHOpVDf4pasEaNOiYC3P8J0NhrzO6fTBKUq3E4DoR-LOip9uJYa0sNRUql_7zQDyoAjec>
Bernstein M, ‘The Producer as Auteur’, Auteurs and Authorship: A Film Reader (Blackwell 2008)
——, ‘The Producer as Auteur’, Auteurs and Authorship (John Wiley and Sons Ltd 2008)
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Bosma P, Film Programming: Curating for Cinemas, Festivals, Archives (Wallflower Press 2015) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEG9oSAbQhgw9fU0oQDPvoBrHaBlRsng41bZk6uQgBkLVIusLRW0FVwLgV5HsgENtsUnIGNrdzEYh0FN9CpE8DQBzJhh7JyM0i7uYY4e-iWlqfGQ4c74hOBDXpjY3PQbcf4ZAEVQDIg>
——, Film Programming: Curating for Cinemas, Festivals, Archives (Wallflower Press 2015) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEG9oSAbQhgw9fU0oQDPvoBrHaBlRsng41bZk6uQgBkLVIusLRW0FVwLgV5HsgENtsUnIGNrdzEYh0FN9CpE8DQBzJhh7JyM0i7uYY4e-iWlqfGQ4c74hOBDXpjY3PQbcf4ZAEVQDIg>
Bourdieu P, ‘“The Field of Cultural Production, or: The Economic World Reversed”’, The Field of Cultural Production: Essays on Art and Literature (Polity Press 1993)
Bowles K, ‘Lost Horizon: The Social History of the Cinema Audience’ (2011) 9 History Compass 854 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwjV3NCsIwDB7iwR98h4Lnia5bfwQPMpQJHvUcttaCB524HdSnN1kr6M1boE1L05J8heTLKJqUlJt9bbsaLhv9ZM-kxOeapUngzkS4omaPHhUAhYH-lzwIHhURiciGkdzXTcuK-n5-1dclQzMyX8LKPKPGk9WO4c4sR3x2Kdma8vA62Hncbg55EYfuArHBZ6xiq7VEfIEQZyGEnYvElgtnnBTaJVnFT8JgpFOmShx6AKPnlSq5U-kJ_zfaSW75OJr6dT8-HML1N0Csi4qI1akfr_KzPlEPbp5GAr7ht1RAJwYyC3RmgQeqrrxqh5r_1oNil3OU-BuN620H>
Brannon Donoghue C, Localising Hollywood (BFI 2017)
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Caldwell JT, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Duke University Press 2008) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEGnbkIrIMsLCxBDXEu0NiYgbGFmYEJJ4NQAORUU6ALFCAHTQCLRGk31xBnD93S8tR46AhGfKIR6C4VS9DFVvhkAQCwIk0>
Chapain C and others, ‘Bristol and Bath by Design Final Report’ <http://www.bristolbathdesign.org/wp-content/uploads/2016/05/BBxD_FinalReport_.pdf>
——, ‘Creative Clusters and Innovation: Putting Creativity on the Map’ <http://www.nesta.org.uk/publications/creative-clusters-and-innovation-report>
Coe N and Johns J, ‘Beyond Production Clusters: Towards a Critical Political Economy of Networks in the Film and Television Industries’, Cultural Industries and the Production of Culture (Taylor & Francis Ebooks 2003) <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://athensla.uwe.ac.uk/oala/metadata&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780203392263>
Crisp V, Film Distribution in the Digital Age: Pirates and Professionals (Palgrave Macmillan 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137406613>
Crisp V and Menotti Gonring G, Besides the Screen: Moving Images Through Distribution, Promotion and Curation (Palgrave Macmillan 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137471024>
Cunningham S and Silver J, Screen Distribution and the New King Kongs of the Online World, vol Palgrave pivot (Palgrave Macmillan 2013) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137326454>
Curtin M and others, ‘Introduction’, Distribution Revolution (University of California Press 2014) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=801727>
Curtin M, Holt J and Sanson K (eds), Distribution Revolution: Conversations about the Digital Future of Film and Television (University of California Press 2014) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=801727>
—— (eds), Distribution Revolution: Conversations about the Digital Future of Film and Television (University of California Press 2014)
Curtin M and Sanson K, Precarious Creativity Global Media, Local Labor (University of California Press 2016) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGALDY3NTLVz9JLLikxTEvLygPvrwCvwDAzsQAdBckLOVvfwMgS2AQw5oAPkgClLU3MORlEA4D5H9h5BPaGFSCtKdDNCtwM0m6uIc4euqXlqfHQ4Y74RGCDHti7As1tQmXzEwtS8-JT8hNB7dbieEPQXkx02QLI2Q7xZgYmoCYJN4M8RBa8RjEeojErHuF-oAo5iArI_C7cAGD7xdzIzBLJAqyOAwDFOlSf>
—— (eds), Voices of Labor: Creativity, Craft, and Conflict in Global Hollywood (University of California Press 2017)
Dawes S, British Broadcasting and the Public-Private Dichotomy: Neoliberalism, Citizenship and the Public Sphere (Palgrave Macmillan 2017) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9783319500973>
Doyle GS and others, The Rise and Fall of the UK Film Council (Edinburgh University Press 2015) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEGdZVNLMwsLYyMIzigMW1kbGoMqgk5GTSAoaEATM6pCsCOs0JaYk6OQn6aAlC_Qqi3gltmTq4CaG92cmYON4O0m2uIs4duaXlqPHRoIz4R2Bq3sDQHzRrjkwUAEC8qow>
Drake G, ‘“This Place Gives Me Space”: Place and Creativity in the Creative Industries’ (2003) 34 Geoforum 511 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV2xasMwEBUhQ9PQXygaE4pAOUWWnaVDaemYIZ2PWJbaDA0BO5Axn9H-Xr6kd5KdLoUuBtt3Rjb2PT_u7t2tuNtybfa-Sz1cjbh2zXBX7qJQFAztTJu5TpUXekSEqHSgKlOV4xQ1s8nNEE4dQepErC_nr83HrpWpVEm-syar_AySPjsfLufvVX-C6LfMv1s8ekHu9pLWMhwJtJ_nYYR2Kt5enjdPr6qfOaA8K5MpYxtbBxblKW3hYoj0xsd6SaBagPY1pxGDBRdqiupENmDpOXHhIVYNRHIzU2HzdQeUw0OWjcDfeire8j2iNpgeA_LMrvvsx90ox_bqZRxr-FWcGH_40wCwBdRIVAeIqhXOYXfqyPoxWw8Iiz2iZqRECpj_LOgHDQuEAQ>
Drake P and others (eds), Hollywood and the Law (Palgrave 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781844579297>
Finney A and Triana E, The International Film Business: A Market Guide beyond Hollywood (Second edition, Routledge 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781136295027>
Forrester P, ‘A Tour of the Indies’ (2015) <http://www.aboholife.com/2015/03/20/a-creative-quest-for-the-uks-best-cinemas/>
Freeman M, Industrial Approaches to Media: A Methodological Gateway to Industry Studies (1st ed. 2016, Palgrave Macmillan 2016) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHKtkaGwOrJvNzUw4GeQQl1IowA7OTi1WKMlXAG-W4GaQdnMNcfbQLS1PjYeOYcQnAlvpxsamoEsI8MkCABHoJTg>
Giles J, ‘The Scala/1998-1992 Sound’ <https://camden50.co.uk/projects/camden-encounters/8-jane-giles>
Gomery D and Bordwell D, Shared Pleasures: History of Movie Presentation in the United States (British Film Institute 1992)
Haines RW, The Moviegoing Experience, 1968-2001 (McFarland & Co Inc 2003)
Hanson S, From Silent Screen to Multi-Screen: A History of Cinema Exhibition in Britain Since 1896 (Manchester University Press 2006) <http://ezproxy.uwe.ac.uk/login?url=https://www.manchesterhive.com/view/9781526141446/9781526141446.xml>
Hark IR, Exhibition, the Film Reader (Taylor & Francis Ltd 2001)
Harrod M, Liz M and Timoshkina A (eds), The Europeanness of European Cinema: Identity, Meaning, Globalisation (IB Tauris 2015) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781786739667>
Hartley J, Wen W and Siling H, Creative Economy and Culture: Challenges, Changes and Futures for the Creative Industries (SAGE 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781473911833>
Hesmondhalgh D and others, Culture, Economy and Politics: The Case of New Labour (Palgrave Macmillan 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137426383>
Hill J, ‘Living with Hollywood: British Film Policy and the Definition of “Nationality”’ (2016) 22 International Journal of Cultural Policy 706 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV3BTsMwDK04MRDfQKQh7RRo2jSJuHBAoB0QJzhHSZNIlcaYtPL_-DXJhLjsbreW5fbZlv181dw4zGbv52WHKzRla8a0D8AyAjisPwl1Lzpwl6sLbP9ozQnmKExXkOEQuqxVE6nKVfP-NqHAZuhOsi3OMGMk5ZEV6h-Wpt0XOyxUuoxKcEYWsBDTtF8Gn9h3YpvaXaPsdnPdfL6-fDxvebk4wMdOt5on7wnQAxU5fdROBtG2AUy-wzgEF2MEG9sQVe-S0CYR2Ekz-mQodH0vh4Tru-v83PpftyUkjpa-HeQrSoChcMhSFQntIVNLWFEYO6urLFxli6tI7zbrYWPl53jSoizFIHXB8fe7f-93Hi2Tcc4GSK2E6s6Knex8ymJ_SVztvLQSUr77ccbiX29Ul3U>
Holt J and Perren A, Media Industries: History, Theory, and Method (John Wiley and Sons Ltd 2009) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHqtkYmJsBqwfjDmgkW0IPpnExJKTQQQYIArgfRIKmdDrKlKLuRmk3VxDnD10S8tT46EjGfGJwLa6sbEZ6JJbfLIAMLck4g>
Holt J and Sanson K, Connected Viewing: Selling, Streaming, & Sharing Media in the Digital Era (Routledge 2014) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781135081294>
——, Connected Viewing: Selling, Streaming, & Sharing Media in the Digital Era (Routledge 2014) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203067994>
Hubbard P, ‘A Good Night out? Multiplex Cinemas as Sites of Embodied Leisure’ (2003) 22 Leisure Studies 255 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV1Na8MwDA07bYP9haH7CMQfsWMYbGVs9LJb78aJnTFo64Fd6M-vZLel0LFBjnrGgSA9R35P982Do7vZ21w0XL6pQpXiZ41sXQpFI7upUknFbor0R7VSGvw6688QjNC351xqen3XvC7gK0YPxVsD4i6_wOfxut0eqP-8cQnwoX5rgjhD2IzRI4WDdfhOxR5z9fG-elu2xwED7UTdszb4XmujOycwk7MuTFoZOeqJ4QnTDWroJ475QAuk3KQn9UHMToTRjx3zPJDQh9dlTxXN_lSLCMtOzptXr4ygpwoi2ckunSHcJm4JgQRHGSy8Nu8zRj_-Gi20QOLV0bj35xpwabRqcznuz3U2x9-7Gf6FX8PK1g7JW4vY>
Ilott T, Budgets and Markets: Study of the Budgeting of European Films (Routledge 2013) <https://www-taylorfrancis-com.ezproxy.uwe.ac.uk/books/mono/10.4324/9780203350720/budgets-markets-terry-ilott>
Iordanova D and Cunningham S, Digital Disruption: Cinema Moves On-Line (St Andrews Film Studies 2012)
Jackel A, European Film Industries (British Film Institute 2003)
Klinger B, Beyond the Multiplex: Cinema, New Technologies, and the Home (University of California Press 2006)
Leicester G and Sharpe B, ‘Producing the Future: Understanding Watershed’s Role in Ecosystems of Cultural Innovation’ <https://www.watershed.co.uk/sites/default/files/publications/2011-03-15/Watershed_IFF_Report_online.pdf>
Lorenzen M and Frederiksen L, ‘Why Do Cultural Industries Cluster? Localization, Urbanization, Products and Projects’, Creative cities, cultural clusters and local economic development (Edward Elgar 2008) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781847209948>
Lyons J, ‘The American Independent Producer and the Film Value Chain’, Beyond the Bottom Line: The Producer in Film and Television Studies (Bloomsbury Publishing Plc 2016) <https://www.screenstudies.com/encyclopedia?docid=b-9781501300202>
Mark Cosgrove, ‘A Manifesto for Independent Cultural Cinema Exhibition | DShed’ (2001) <https://www.watershed.co.uk/articles/a-manifesto-for-independent-cultural-cinema>
——, ‘Cultural Cinema Exhibition in the 21st Century | DShed’ (2001) <http://www.watershed.co.uk/dshed/mark-article>
Mateos-Garcia J and Bakhshi H, ‘The Geography of Creativity in the UK: Creative Clusters, Creative People and Creative Networks’ <https://media.nesta.org.uk/documents/the_geography_of_creativity_in_the_uk.pdf>
Mayer V, Almost Hollywood Nearly New Orleans: The Lure of the Local Economy (University of California Press 2017) <https://www-jstor-org.ezproxy.uwe.ac.uk/stable/10.1525/j.ctt1pq344w?pq-origsite=summon>
McDonald K and Smith-Rowsey D (eds), The Netflix Effect: Technology and Entertainment in the 21st Century (Bloomsbury Academic 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781501309427>
McDonald P and Wasko J, The Contemporary Hollywood Film Industry (John Wiley and Sons Ltd 2007)
McKenna AT, Showman of the Screen: Joseph E. Levine and His Revolutions in Film Promotion (University Press of Kentucky 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780813168739>
Meir C, ‘The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema’ (2009) 29 Historical Journal of Film, Radio and Television 467 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV1NS8QwEC2eVPAvyKh4s5B2-pHqcXHRPYkf55CmKSy0i7Q56L93JmnXdWX1_pI2IZnJzCTvnUZnmu9mb5x_w9VEUyWR-azJN1eF5MxAIoUs8ci__MljzHLaU3zVEGMC5MdbU4qiOonWNGPw5AlQ7QB6hBeynWOvN7ewsoPtPyFcprmB5brrGRkUcIBicdgleQJv_-csGzxuhWYdLOhMx0Srb8v718VDPAkRxAbJJcaZLYShc0-KdSmbRpZtg4WRSVtIFrjTIrFZbSoUdSa1qURjsTaeOl1y2YqFlyH0O5t7Na2UUaWCMy-s2XUeIOwYFK8uN2ijKGJgTj7BtIZJAMzuU70HPgqVzDSf-_NLba72vqtrzqAYNyrql07Wecol98uDKH6pi9Q5gS4Ogr7HcD394o8KPiFt16lnDs8oIGYlibuA2yWHVc6nKNqgJ_LnoMp_W_9qpdyHwy9Tl8Y_>
Moran A and Aveyard K, ‘Introduction’, Watching Films (Intellect Books 2013) <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781783200429>
——, Watching Films: New Perspectives on Movie-Going, Exhibition and Reception (Intellect Books 2013) <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781783200429>
Perren A, Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s (University of Texas Press 2013)
Peter Bloore, ‘Re-Defining the Independent Film Value Chain’ <http://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/redefining-the-independent-film-value-chain.pdf>
Porter V, ‘The Context of Creativity: Ealing Studios and Hammer Films’, British Cinema History (Weidenfeld and Nicolson 1983)
——, ‘The Context of Creativity: Ealing Studios and Hammer Films’, British Cinema History (Orion Publishing Co 1983)
Puttnam D and Watson N, Movies and Money (1st American ed, Knopf 1998)
Rich BR, New Queer Cinema: The Director’s Cut (Duke University Press 2013) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmEGnbloBNpBaWZpyskgAMy7CqA-WpECaOIYdLaptJtriLOHbml5ajx0yCI-0cjIAliRgu4QwicLAH4VHwk>
Rosenbaum J, Movie Wars: How Hollywood and the Media Limit What Movies We Can See (A Cappella Books 2002)
——, Movie Wars: How Hollywood and the Media Limit What Movies We Can See (A Cappella Books 2002)
Rosenbaum J and Martin A, Movie Mutations: The Changing Face of World Cinephilia (British Film Institute 2003)
Salson A and Arnal M, ‘The Emerging Practices of Cinema Exhibition in Europe’ <http://tourdescinemas.com/wp-content/uploads/The-emerging-practices-of-cinema-exhibition-in-Europe-Report1.pdf>
Schatz T, The Genius of the System: Hollywood Film-Making in the Studio Era (Faber and Faber 1998) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmFm4DI0MzIH7XgE7dLlsDQDH9lizsbAq-Hi46wJ43PAB0bMQQceGHAySAADSgEYipmlxQr5aQpAMxUgpxtzM0i7uYY4e-iWlqfGQ0c54hOB7Xgz0LAcflkAMsYpyw>
Scott AJ, On Hollywood: The Place, the Industry (Princeton University Press 2005)
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Spicer A, ‘Producers and Moguls in the British Film Industry’, The Routledge Companion to British Cinema History (Taylor & Francis Ebooks 2017) <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DWofEngland%252526isbn%25253D9781315392172>
Spicer A and McKenna AT, Man Who Got Carter, The: Michael Klinger, Independent Production and the British Film Industry, 1960-1980 (I B Tauris & Company 2013) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHHJjYQpsxoFm3TjgAyDA0tPSxJSTQQwYIAq5iXkK5Rn5Cun5JQrO4NWM3AzSbq4hzh66peWp8dCxjPhEUAMAWKka45cFAE6hJOA>
Spicer A and Presence S, ‘Go West! Bristol’s Film and Television Industries’ <http://bftv.org.uk/wp-content/uploads/2017/05/GoWestReport_lowres.pdf>
Steele D, ‘Rethinking the Focus of UK Film Support: Is Subsidising US Studios a Safe Strategy for UK Film Production in the Coming Decade?’ (2015) 24 Cultural Trends 74 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV3BSsQwEA3iQV38BucHCnabpomXPYiieFN7Dkk2AwXdFrM9ePLXnUm6xZu3UvImMAOZTDvz3pW4dtybfTjmGa69WKZmmM-aycUo4NxQJfn3PA8-nuXpH1M1VKadZ148WfGii7VPgxL-pfh5ZTn5rCYAZB1wDHOCEaF_ARw-PiHNE19Y7-A50bOnUA5cbEP_BkzUOowJHCSHEVKhff0mG18rfCr8quQLGA55Bwo44_eR-9R3G9E_PrzfP1WLREEV6q1iWRCJxtDxr8NtoNs9qqgwdq2v6yY4eh8pIUpnnKdDpXXKd23ArtPe6Rh0g81GtMXuKSnaqbBM2PpE3rl4zbLX7OI1wt0UHA-vzGlFUX2lt0Yqll_alRV_GVjtMX8HwCLa8c8ev3xihSA>
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