Ang. Desperately Seeking the Audience. London: Routledge, 1991. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781134940424.
Arthurs, Jane. Television and Sexuality: Regulation and the Politics of Taste. Vol. Issues in cultural and media studies. Maidenhead: Open University Press, 2004. http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHHID2toDrCzA1_kZmZuDTqS1NOWADYaAKl5gaudkkAiB76pWAPakFYrB5w4D26PcDNJuriHOHrql5anx0JGN-EQjQ2PQ3k9j_LIAFuQoYA.
Aston, Judith, Sandra Gaudenzi, and Mandy Rose, eds. I-Docs: The Evolving Practices of Interactive Documentary. Vol. Nonfictions. London: Wallflower Press, 2017. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231851077.
Creeber, Glen, ed. The Television Genre Book. 3rd edition. London: Palgrave, 2015. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781844578986.
Davis, Glyn, and Kay Dickinson. Teen TV: Genre, Consumption, Identity. London: British Film Institute, 2004.
Evans, Elizabeth, Tim Coughlan, and Vicky Coughlan. ‘Building Digital Estates’. Critical Studies in Television: The International Journal of Television Studies 12, no. 2 (June 2017): 191–205. https://doi.org/10.1177/1749602017698714.
Feasey, Rebecca. Masculinity and Popular Television. Edinburgh: Edinburgh University Press, 2008. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258122.
Forrest, David, and Beth Johnson, eds. Social Class and Television Drama in Contemporary Britain. Basingstoke: Palgrave Macmillan, 2017.
Grainge, Paul. ‘“Moments and Opportunities”’. Critical Studies in Television: The International Journal of Television Studies 12, no. 2 (June 2017): 139–55. https://doi.org/10.1177/1749602017698158.
‘Hidden Love: Animal Passions (Documentary) - Real Stories’, 12AD. https://www.youtube.com/watch?v=igm0JRDRGas.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, n.d. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918.
———. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, n.d. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918.
Johnson, Catherine. ‘Beyond Catch-Up’. Critical Studies in Television: The International Journal of Television Studies 12, no. 2 (June 2017): 121–38. https://doi.org/10.1177/1749602017698159.
———. Branding Television. London: Routledge, 2011. http://www.vlebooks.com/Vleweb/Product/Index/2052846?page=0.
Murray, Susan, and Laurie Ouellette. Reality TV: Remaking Television Culture. 2nd ed. New York: New York University Press, 2009. http://www.vlebooks.com/Vleweb/Product/Index/714306?page=0.
Newcomb, Horace. ‘Studying Television: Same Questions, Different Contexts’. Cinema Journal 45, no. 1 (2005): 107–11. https://doi.org/10.1353/cj.2006.0010.
PolyU ELC. ‘Academic Report: Overall Structure’, 9AD. https://www.youtube.com/watch?v=1hNC_me9aVM.
———. ‘Academic Report: Overall Structure’, 9AD. https://www.youtube.com/watch?v=1hNC_me9aVM.
Richardson, Niall, and Sadie Wearing. Gender in the Media. Vol. Key concerns in media studies. Basingstoke: Palgrave Macmillan, 2014. https://bibliu.com/users/saml/samlBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMzUwMzA2NTIzL2VwdWIvT0VCUFMvY29udGVudHMuaHRtbCJ9.
‘Sri Lanka’s Killing Fields: War Crimes Unpunished’. Channel 4, n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F026A3BB6%3Fbcast%3D80929752.
‘Sri Lanka’s Killing Fields: War Crimes Unpunished’. Channel 4, n.d. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01D13D85%3Fbcast%3D65876885.
Thiago Canguçu. ‘How Facebook Changed the World -- the Story of the Arab Spring Episode 1’, 4AD. https://www.youtube.com/watch?v=VCdIOch2970.
Weissmann, Elke. ‘Watching : A Study of British Audiences Watching Channel 5 and 5 USA’. Critical Studies in Television: The International Journal of Television Studies 12, no. 2 (June 2017): 174–90. https://doi.org/10.1177/1749602017701663.
Williams, Raymond, and Ederyn Williams. Television: Technology and Cultural Form. [New] ed. Vol. Routledge classics. London: Routledge, 2003. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203426647.
Wilson, S. ‘Dramatising Madness: In Two Minds and 1960s Counter-Cultural Politics’, 1 January 2012.
Wilson, Sherryl. ‘In the Living Room’. Television & New Media 17, no. 2 (February 2016): 174–91. https://doi.org/10.1177/1527476415593348.
