Ang, Desperately Seeking the Audience (Routledge 1991) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781134940424>
Arthurs J, Television and Sexuality: Regulation and the Politics of Taste, vol Issues in cultural and media studies (Open University Press 2004) <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMw42LgTQStzc4rAe_hSmGGHHID2toDrCzA1_kZmZuDTqS1NOWADYaAKl5gaudkkAiB76pWAPakFYrB5w4D26PcDNJuriHOHrql5anx0JGN-EQjQ2PQ3k9j_LIAFuQoYA>
Aston J, Gaudenzi S and Rose M (eds), I-Docs: The Evolving Practices of Interactive Documentary, vol Nonfictions (Wallflower Press 2017) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231851077>
Creeber G (ed), The Television Genre Book (3rd edition, Palgrave 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781844578986>
Davis G and Dickinson K, Teen TV: Genre, Consumption, Identity (British Film Institute 2004)
Evans E, Coughlan T and Coughlan V, ‘Building Digital Estates’ (2017) 12 Critical Studies in Television: The International Journal of Television Studies 191
Feasey R, Masculinity and Popular Television (Edinburgh University Press 2008) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=258122>
Forrest D and Johnson B (eds), Social Class and Television Drama in Contemporary Britain (Palgrave Macmillan 2017)
Grainge P, ‘“Moments and Opportunities”’ (2017) 12 Critical Studies in Television: The International Journal of Television Studies 139
‘Hidden Love: Animal Passions (Documentary) - Real Stories’ <https://www.youtube.com/watch?v=igm0JRDRGas>
Jenkins H, Convergence Culture: Where Old and New Media Collide (New York University Press) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918>
——, Convergence Culture: Where Old and New Media Collide (New York University Press) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020918>
Johnson C, Branding Television (Routledge 2011) <http://www.vlebooks.com/Vleweb/Product/Index/2052846?page=0>
——, ‘Beyond Catch-Up’ (2017) 12 Critical Studies in Television: The International Journal of Television Studies 121
Murray S and Ouellette L, Reality TV: Remaking Television Culture (2nd ed, New York University Press 2009) <http://www.vlebooks.com/Vleweb/Product/Index/714306?page=0>
Newcomb H, ‘Studying Television: Same Questions, Different Contexts’ (2005) 45 Cinema Journal 107
PolyU ELC, ‘Academic Report: Overall Structure’ <https://www.youtube.com/watch?v=1hNC_me9aVM>
——, ‘Academic Report: Overall Structure’ <https://www.youtube.com/watch?v=1hNC_me9aVM>
Richardson N and Wearing S, Gender in the Media, vol Key concerns in media studies (Palgrave Macmillan 2014) <https://bibliu.com/users/saml/samlBristol?RelayState=eyJjdXN0b21fbGF1bmNoX3VybCI6IiMvdmlldy9ib29rcy85NzgxMzUwMzA2NTIzL2VwdWIvT0VCUFMvY29udGVudHMuaHRtbCJ9>
‘Sri Lanka’s Killing Fields: War Crimes Unpunished’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F026A3BB6%3Fbcast%3D80929752>
‘——’ <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fathensla.uwe.ac.uk%2Foala%2Fmetadata&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F01D13D85%3Fbcast%3D65876885>
Thiago Canguçu, ‘How Facebook Changed the World -- the Story of the Arab Spring Episode 1’ <https://www.youtube.com/watch?v=VCdIOch2970>
Weissmann E, ‘Watching : A Study of British Audiences Watching Channel 5 and 5 USA’ (2017) 12 Critical Studies in Television: The International Journal of Television Studies 174
Williams R and Williams E, Television: Technology and Cultural Form, vol Routledge classics ([New] ed, Routledge 2003) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780203426647>
Wilson, S, ‘Dramatising Madness: In Two Minds and 1960s Counter-Cultural Politics’
Wilson S, ‘In the Living Room’ (2016) 17 Television & New Media 174
