Armstrong, Richard. Understanding Realism. London: BFI, 2005. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781839021015.
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Balcerzak, Scott, and Jason Sperb. Cinephilia in the Age of Digital Reproduction: Vol. 1: Film, Pleasure and Digital Culture. London: Wallflower, 2009.
Beattie, Keith. Documentary Display: Re-Viewing Nonfiction Film and Video. Vol. Nonfictions. London: Wallflower Press, 2008.
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———. Documentary Screens: Non-Fiction Film and Television. Basingstoke: Palgrave Macmillan, 2004. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230628038.
Braudy, Leo, and Marshall Cohen. Film Theory and Criticism: Introductory Readings. 8th ed. Oxford: Oxford University Press, 2016.
Brink, Joram ten. Building Bridges: The Cinema of Jean Rouch. Vol. Nonfictions. London: Wallflower, 2007.
Cinquegrani, Maurizio. ‘The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century’. Journal of British Cinema and Television 6, no. 2 (August 2009): 207–19. https://doi.org/10.3366/E1743452109000880.
DiIorio, S. ‘Total Cinema: Chronique d’un Ete and the End of Bazinian Film Theory’. Screen 48, no. 1 (1 January 2007): 25–43. https://doi.org/10.1093/screen/hjm002.
Drazin, Charles. ‘The Origin, Practice and Meaning of the Free Cinema Manifesto’. Journal of British Cinema and Television 11, no. 2–3 (July 2014): 294–311. https://doi.org/10.3366/jbctv.2014.0217.
Elsaesser, Thomas and Barker. Early Cinema: Space Frame Narrative. London: BFI, 1990. http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2612581.
Fabe, Marilyn. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Tenth anniversary edition. Oakland, CA: University of California Press, 2014. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019.
———. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Tenth anniversary edition. Oakland, CA: University of California Press, 2014. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019.
‘Filmwaves-Archive-The Zapruder Quotient’, n.d. http://www.users.globalnet.co.uk/~filmwave/4documnt.htm.
Forbes, Jill, and Sarah Street. European Cinema: An Introduction. Basingstoke: Palgrave, 2000.
Grant, Barry Keith. Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing. Berkeley, Calif: University of California Press, 2006. https://web.p.ebscohost.com/ehost/detail/detail?vid=0&sid=c13e53ca-298b-434a-a3b4-3e3276552653%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=306081&db=nlebk.
Grant, Barry Keith, and Jeannette Sloniowski, eds. Documenting the Documentary: Close Readings of Documentary Film and Video. New and Expanded edition. Vol. Contemporary approaches to film and media series. Detroit: Wayne State University Press, 2014. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725.
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Hallam, Julia, and Margaret Marshment. Realism and Popular Cinema. Vol. Inside popular film. Manchester: Manchester University Press, 2000.
Higson, Andrew, ed. Dissolving Views: Key Writings on British Cinema. Vol. Bloomsbury academic collections. Film studies. European cinema. London: Bloomsbury Academic, 2016. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474290654.
Hill. Sex, Class and Realism: British Cinema 1956-1963. London: British Film Institute, 1986.
Kahana, Jonathan, ed. The Documentary Film Reader: History, Theory, Criticism. New York, NY: Oxford University Press, 2016. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780190226541.
Kolker, Robert Phillip. Film, Form, and Culture. Fourth edition. London: Routledge, 2015. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781315728025.
Krstiâc, Igor. Slums on Screen: World Cinema and the Planet of Slums. Edinburgh: Edinburgh University Press, 2016. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888.
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Kydd, Elspeth. The Critical Practice of Film: An Introduction. Basingstoke: Palgrave Macmillan, 2011. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230345270.
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Lyons, James, and John Plunkett. Multimedia Histories: From the Magic Lantern to the Internet. Vol. Exeter studies in film history. Exeter: University of Exeter Press, 2007. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780859899352.
McLane, Betsy A. A New History of Documentary Film. Second edition. [London]: Bloomsbury Publishing, 2012. https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies.
———. A New History of Documentary Film. Second edition. [London]: Bloomsbury Publishing, 2012. https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies.
Murphy. Sixties British Cinema. London: BFI, 1992.
Nagib, Lòâucia, Christopher Perriam, and Rajinder Kumar Dudrah. Theorizing World Cinema. Vol. Tauris world cinema series. London: I.B. Tauris, 2012. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780857721044.
Penz, Francois, and Andong Lu. Urban Cinematics: Understanding Urban Phenomena through the Moving Image. Bristol: Intellect, 2011. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781841505794.
Piotrowska, Agnieszka, ed. Embodied Encounters: New Approaches to Psychoanalysis and Cinema. London: Routledge, 2015. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317636496.
Roe, Annabelle Honess. Animated Documentary. Basingstoke: Palgrave Macmillan, 2013. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137017468.
Rouch and Feld. Cine-Ethnography. Minneapolis: University of Minnesota Press, 2003.
Rushton, Richard. The Reality of Film: Theories of Filmic Reality. Manchester: Manchester University Press, 2011. https://www.manchesterhive.com/display/9781847793416/9781847793416.xml.
Saunders, Dave. Direct Cinema: Observational Documentary and the Politics of the Sixties. Vol. Nonfictions series. London: Wallflower, 2007.
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Sellors, C. Paul. Film Authorship: Auteurs and Other Myths. Vol. Short cuts series. London: Wallflower, 2010.
Shiel and Fitzmaurice. Screening the City. London: Verso, 2003.
Shiel, Mark. Italian Neorealism: Rebuilding the Cinematic City. Vol. Short cuts. London: Wallflower, 2006. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850292.
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Ten Brink, Joram, and Joshua Oppenheimer, eds. Killer Images: Documentary Film, Memory and the Performance of Violence. Vol. Nonfictions. London: Wallflower Press, 2012. http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850247.
Thompson, Kristin, and David Bordwell. Film History: An Introduction. 3rd ed., International ed. Boston, [Mass.]: McGraw-Hill Higher Education, 2010.
Toulmin, Vanessa. Electric Edwardians: The Story of the Mitchell & Kenyon Collection. London: BFI, 2006.
Trifonova, Temenuga. European Film Theory. Vol. AFI film readers. London: Routledge, 2009. https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781135902537.
Vogt, Naomi and Divine girlhoods: filming young women in France’s BanlieuesVogt, Naomi. ‘Divine Girlhoods: Filming Young Women in France’s Banlieues’. Cinéaste (New York, N.Y.) 42, no. 3 (22AD). http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Divine+girlhoods%3A+filming+young+women+in+France%27s+Banlieues&rft.jtitle=Cineaste&rft.au=Vogt%2C+Naomi&rft.date=2017-06-22&rft.pub=Cineaste+Publishers%2C+Inc&rft.issn=0009-7004&rft.volume=42&rft.issue=3&rft.spage=38&rft.externalDBID=BKMMT&rft.externalDocID=497731175&paramdict=en-UK.
Whalley, Robin and Forgotten firm: a short chronological account of Mitchell and Kenyon, cinematographersWhalley, Robin. ‘Forgotten Firm: A Short Chronological Account of Mitchell and Kenyon, Cinematographers’. Film History (New York, N.Y.) X, no. 1 (1AD). http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Forgotten+firm%3A+a+short+chronological+account+of+Mitchell+and+Kenyon%2C+cinematographers&rft.jtitle=Film+History&rft.au=Whalley%2C+Robin&rft.au=Worden%2C+Peter&rft.date=1998-01-01&rft.pub=Federation+Internationale+des+Archives+%28FIAF%29&rft.issn=0892-2160&rft.eissn=1553-3905&rft.volume=X&rft.issue=1&rft.spage=35&paramdict=en-UK.
