Armstrong R, Understanding Realism (BFI 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781839021015>
Aufderheide P and Public intimacy: the development of first-person documentaryAufderheide, Patricia, ‘Public Intimacy: The Development of First-Person Documentary’ (1AD) 25 Afterimage <http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Public+intimacy%3A+the+development+of+first-person+documentary&rft.jtitle=Afterimage&rft.au=Aufderheide%2C+Patricia&rft.date=1997-07-01&rft.pub=Visual+Studies+Workshop&rft.issn=0300-7472&rft.volume=25&rft.issue=1&rft.spage=16&rft.externalDBID=IAO&rft.externalDocID=20198552&paramdict=en-UK>
Balcerzak S and Sperb J, Cinephilia in the Age of Digital Reproduction: Vol. 1: Film, Pleasure and Digital Culture (Wallflower 2009)
Beattie K, Documentary Screens: Non-Fiction Film and Television (Palgrave Macmillan 2004) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230628038>
——, Documentary Screens: Non-Fiction Film and Television (Palgrave Macmillan 2004) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230628038>
——, Documentary Display: Re-Viewing Nonfiction Film and Video, vol Nonfictions (Wallflower Press 2008)
Braudy L and Cohen M, Film Theory and Criticism: Introductory Readings (8th ed, Oxford University Press 2016)
Brink J ten, Building Bridges: The Cinema of Jean Rouch, vol Nonfictions (Wallflower 2007)
Cinquegrani M, ‘The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century’ (2009) 6 Journal of British Cinema and Television 207 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwjV1Ni8IwEA2LB3fF_zB_IGzbNMF6W0rFkyc9SklMgoIfhW1Zf74zE72sIN5Kmxeaocybkrx5X2Jq6Wz2uWcNlxe8k6iUMd8NVb8l8kVGTpX44XyQWFFrSSbcIxYuKknPx_dUqk2ls0-xxYjBKlyHX7hEwLmhOXWYEObATYDhh6UWWLTC4nA88aDkhQG25-FkGv-Arv_o1UK_hzpl9YnYLJp1vZR38wG5o_4pMrqssHhZFTo470nAGWdIZvgXZ1xh8Ka2ztuQ56EqjHUWebnyyiKdRlyPVxORp3kfdNd2qX9Ei3U3xaN9igdiZglDxMXbLAMfh30LWr6Ghv-QtvNR3QAPZXuV>
DiIorio S, ‘Total Cinema: Chronique d’un Ete and the End of Bazinian Film Theory’ (2007) 48 Screen 25 <https://academic-oup-com.ezproxy.uwe.ac.uk/screen/article/48/1/25/1699533>
Drazin C, ‘The Origin, Practice and Meaning of the Free Cinema Manifesto’ (2014) 11 Journal of British Cinema and Television 294 <http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV27DsIwDKwQAw_xD17YCKXk0WauqFgQCMEcJWk6IPEQKnw_dloGJvamlqUkd619vkkys9SbfWujhqtO4jgdzpVKL863b-qmEktiwgOSKkrJyIJ7GGWLnAlEk1F_kUql5Woc7dZhH12iFnDopUOAn9mwC5b-HcC9AQwI1TMEKJGbXS3sLHWGIH2aJudqcyq3rLcWYB4JdcEa18i8UZr7uuZcO477WmfCBY0A56SufUE1Up05y60WhZKWRrcFtfZK5II0Pmn33i-YmUc3HcIgq6ZsTczWULaGssUV837FT3nbWCowmCMeBoHoTTYLqnuOwCuWWl6xJfZvgA9Ydmw1>
Elsaesser T and Barker, Early Cinema: Space Frame Narrative (BFI 1990) <http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2612581>
Fabe M, Closely Watched Films: An Introduction to the Art of Narrative Film Technique (Tenth anniversary edition, University of California Press 2014) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019>
——, Closely Watched Films: An Introduction to the Art of Narrative Film Technique (Tenth anniversary edition, University of California Press 2014) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019>
‘Filmwaves-Archive-The Zapruder Quotient’ <http://www.users.globalnet.co.uk/~filmwave/4documnt.htm>
Forbes J and Street S, European Cinema: An Introduction (Palgrave 2000)
Grant BK, Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing (University of California Press 2006) <https://web.p.ebscohost.com/ehost/detail/detail?vid=0&sid=c13e53ca-298b-434a-a3b4-3e3276552653%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=306081&db=nlebk>
Grant BK and Sloniowski J (eds), Documenting the Documentary: Close Readings of Documentary Film and Video, vol Contemporary approaches to film and media series (New and expanded edition, Wayne State University Press 2014) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725>
—— (eds), Documenting the Documentary: Close Readings of Documentary Film and Video, vol Contemporary approaches to film and media series (New and expanded edition, Wayne State University Press 2014) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725>
Hallam J and Marshment M, Realism and Popular Cinema, vol Inside popular film (Manchester University Press 2000)
Higson A (ed), Dissolving Views: Key Writings on British Cinema, vol Bloomsbury academic collections. Film studies. European cinema (Bloomsbury Academic 2016) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474290654>
Hill, Sex, Class and Realism: British Cinema 1956-1963 (British Film Institute 1986)
Kahana J (ed), The Documentary Film Reader: History, Theory, Criticism (Oxford University Press 2016) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780190226541>
Kolker RP, Film, Form, and Culture (Fourth edition, Routledge 2015) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781315728025>
Krstiâc I, Slums on Screen: World Cinema and the Planet of Slums (Edinburgh University Press 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888>
——, Slums on Screen: World Cinema and the Planet of Slums (Edinburgh University Press 2016) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888>
Kydd E, The Critical Practice of Film: An Introduction (Palgrave Macmillan 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230345270>
Lay S, British Social Realism: From Documentary to Brit-Grit, vol Short cuts (Wallflower 2002)
Lyons J and Plunkett J, Multimedia Histories: From the Magic Lantern to the Internet, vol Exeter studies in film history (University of Exeter Press 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780859899352>
McLane BA, A New History of Documentary Film (Second edition, Bloomsbury Publishing 2012) <https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies>
——, A New History of Documentary Film (Second edition, Bloomsbury Publishing 2012) <https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies>
Murphy, Sixties British Cinema (BFI 1992)
Nagib L, Perriam C and Dudrah RK, Theorizing World Cinema, vol Tauris world cinema series (IB Tauris 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780857721044>
Penz F and Lu A, Urban Cinematics: Understanding Urban Phenomena through the Moving Image (Intellect 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781841505794>
Piotrowska A (ed), Embodied Encounters: New Approaches to Psychoanalysis and Cinema (Routledge 2015) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317636496>
Roe AH, Animated Documentary (Palgrave Macmillan 2013) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137017468>
Rouch and Feld, Cine-Ethnography (University of Minnesota Press 2003)
Rushton R, The Reality of Film: Theories of Filmic Reality (Manchester University Press 2011) <https://www.manchesterhive.com/display/9781847793416/9781847793416.xml>
Saunders D, Direct Cinema: Observational Documentary and the Politics of the Sixties, vol Nonfictions series (Wallflower 2007)
——, Documentary, vol Routledge film guidebooks (Routledge 2010) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781136978357>
Sellors CP, Film Authorship: Auteurs and Other Myths, vol Short cuts series (Wallflower 2010)
Shiel and Fitzmaurice, Screening the City (Verso 2003)
Shiel M, Italian Neorealism: Rebuilding the Cinematic City, vol Short cuts (Wallflower 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850292>
Singer, Reality Transformed: Film as Meaning and Technique (MIT Press 1998)
SUÁREZ, JUAN A, ‘City Space, Technology, Popular Culture: The Modernism of Paul Strand and Charles Sheeler’s Manhatta’ 36 Journal of American Studies 85 <https://search-proquest-com.ezproxy.uwe.ac.uk/docview/195668705?pq-origsite=summon>
Tarr C, Reframing Difference: Beur and Banlieue Filmmaking in France (Manchester University Press 2005)
Ten Brink J and Oppenheimer J (eds), Killer Images: Documentary Film, Memory and the Performance of Violence, vol Nonfictions (Wallflower Press 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850247>
Thompson K and Bordwell D, Film History: An Introduction (3rd ed., International ed, McGraw-Hill Higher Education 2010)
Toulmin V, Electric Edwardians: The Story of the Mitchell & Kenyon Collection (BFI 2006)
Trifonova T, European Film Theory, vol AFI film readers (Routledge 2009) <https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781135902537>
Vogt N and Divine girlhoods: filming young women in France’s BanlieuesVogt, Naomi, ‘Divine Girlhoods: Filming Young Women in France’s Banlieues’ (22AD) 42 Cinéaste (New York, N.Y.) <http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Divine+girlhoods%3A+filming+young+women+in+France%27s+Banlieues&rft.jtitle=Cineaste&rft.au=Vogt%2C+Naomi&rft.date=2017-06-22&rft.pub=Cineaste+Publishers%2C+Inc&rft.issn=0009-7004&rft.volume=42&rft.issue=3&rft.spage=38&rft.externalDBID=BKMMT&rft.externalDocID=497731175&paramdict=en-UK>
Whalley R and Forgotten firm: a short chronological account of Mitchell and Kenyon, cinematographersWhalley, Robin, ‘Forgotten Firm: A Short Chronological Account of Mitchell and Kenyon, Cinematographers’ (1AD) X Film history (New York, N.Y.) <http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Forgotten+firm%3A+a+short+chronological+account+of+Mitchell+and+Kenyon%2C+cinematographers&rft.jtitle=Film+History&rft.au=Whalley%2C+Robin&rft.au=Worden%2C+Peter&rft.date=1998-01-01&rft.pub=Federation+Internationale+des+Archives+%28FIAF%29&rft.issn=0892-2160&rft.eissn=1553-3905&rft.volume=X&rft.issue=1&rft.spage=35&paramdict=en-UK>
