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Aufderheide, P. and Public intimacy: the development of first-person documentaryAufderheide, Patricia (1AD) Public intimacy: the development of first-person documentary. Afterimage. [online]. 25 (1). Available from: http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Public+intimacy%3A+the+development+of+first-person+documentary&rft.jtitle=Afterimage&rft.au=Aufderheide%2C+Patricia&rft.date=1997-07-01&rft.pub=Visual+Studies+Workshop&rft.issn=0300-7472&rft.volume=25&rft.issue=1&rft.spage=16&rft.externalDBID=IAO&rft.externalDocID=20198552&paramdict=en-UK.
Balcerzak, S. and Sperb, J. (2009) Cinephilia in the age of digital reproduction: Vol. 1: Film, pleasure and digital culture London, Wallflower.
Beattie, K. (2008) Documentary display: re-viewing nonfiction film and video Nonfictions, London, Wallflower Press.
Beattie, K. (2004a) Documentary screens: non-fiction film and television [online]. Basingstoke, Palgrave Macmillan. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230628038.
Beattie, K. (2004b) Documentary screens: non-fiction film and television [online]. Basingstoke, Palgrave Macmillan. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230628038.
Braudy, L. and Cohen, M. (2016) Film theory and criticism: introductory readings 8th ed. Oxford, Oxford University Press.
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Cinquegrani, M. (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television. [online]. 6 (2), pp.207–219. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwjV1Ni8IwEA2LB3fF_zB_IGzbNMF6W0rFkyc9SklMgoIfhW1Zf74zE72sIN5Kmxeaocybkrx5X2Jq6Wz2uWcNlxe8k6iUMd8NVb8l8kVGTpX44XyQWFFrSSbcIxYuKknPx_dUqk2ls0-xxYjBKlyHX7hEwLmhOXWYEObATYDhh6UWWLTC4nA88aDkhQG25-FkGv-Arv_o1UK_hzpl9YnYLJp1vZR38wG5o_4pMrqssHhZFTo470nAGWdIZvgXZ1xh8Ka2ztuQ56EqjHUWebnyyiKdRlyPVxORp3kfdNd2qX9Ei3U3xaN9igdiZglDxMXbLAMfh30LWr6Ghv-QtvNR3QAPZXuV.
DiIorio, S. (2007) Total cinema: Chronique d’un ete and the end of Bazinian film theory. Screen. [online]. 48 (1), pp.25–43. Available from: https://academic-oup-com.ezproxy.uwe.ac.uk/screen/article/48/1/25/1699533.
Drazin, C. (2014) The Origin, Practice and Meaning of the Free Cinema Manifesto. Journal of British Cinema and Television. [online]. 11 (2–3), pp.294–311. Available from: http://uwe.summon.serialssolutions.com/#!/search?bookMark=ePnHCXMwhV27DsIwDKwQAw_xD17YCKXk0WauqFgQCMEcJWk6IPEQKnw_dloGJvamlqUkd619vkkys9SbfWujhqtO4jgdzpVKL863b-qmEktiwgOSKkrJyIJ7GGWLnAlEk1F_kUql5Woc7dZhH12iFnDopUOAn9mwC5b-HcC9AQwI1TMEKJGbXS3sLHWGIH2aJudqcyq3rLcWYB4JdcEa18i8UZr7uuZcO477WmfCBY0A56SufUE1Up05y60WhZKWRrcFtfZK5II0Pmn33i-YmUc3HcIgq6ZsTczWULaGssUV837FT3nbWCowmCMeBoHoTTYLqnuOwCuWWl6xJfZvgA9Ydmw1.
Elsaesser, T. and Barker (1990) Early cinema: space frame narrative [online]. London, BFI. Available from: http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2612581.
Fabe, M. (2014a) Closely watched films: an introduction to the art of narrative film technique Tenth anniversary edition. [online]. Oakland, CA, University of California Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019.
Fabe, M. (2014b) Closely watched films: an introduction to the art of narrative film technique Tenth anniversary edition. [online]. Oakland, CA, University of California Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019.
Filmwaves-Archive-The Zapruder Quotient. (no date) [online]. Available from: http://www.users.globalnet.co.uk/~filmwave/4documnt.htm.
Forbes, J. and Street, S. (2000) European cinema: an introduction Basingstoke, Palgrave.
Grant, B.K. (2006) Five films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing [online]. Berkeley, Calif, University of California Press. Available from: https://web.p.ebscohost.com/ehost/detail/detail?vid=0&sid=c13e53ca-298b-434a-a3b4-3e3276552653%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=306081&db=nlebk.
Grant, B.K. and Sloniowski, J. (eds.) (2014a) Documenting the documentary: close readings of documentary film and video New and expanded edition. [online]. Contemporary approaches to film and media series, Detroit, Wayne State University Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725.
Grant, B.K. and Sloniowski, J. (eds.) (2014b) Documenting the documentary: close readings of documentary film and video New and expanded edition. [online]. Contemporary approaches to film and media series, Detroit, Wayne State University Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725.
Hallam, J. and Marshment, M. (2000) Realism and popular cinema Inside popular film, Manchester, Manchester University Press.
Higson, A. (ed.) (2016) Dissolving views: key writings on British cinema [online]. Bloomsbury academic collections. Film studies. European cinema, London, Bloomsbury Academic. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474290654.
Hill (1986) Sex, class and realism: British cinema 1956-1963 London, British Film Institute.
Kahana, J. (ed.) (2016) The documentary film reader: history, theory, criticism [online]. New York, NY, Oxford University Press. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780190226541.
Kolker, R.P. (2015) Film, form, and culture Fourth edition. [online]. London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781315728025.
Krstiâc, I. (2016a) Slums on screen: world cinema and the planet of slums [online]. Edinburgh, Edinburgh University Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888.
Krstiâc, I. (2016b) Slums on screen: world cinema and the planet of slums [online]. Edinburgh, Edinburgh University Press. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888.
Kydd, E. (2011) The critical practice of film: an introduction [online]. Basingstoke, Palgrave Macmillan. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230345270.
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McLane, B.A. (2012a) A new history of documentary film Second edition. [online]. [London], Bloomsbury Publishing. Available from: https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies.
McLane, B.A. (2012b) A new history of documentary film Second edition. [online]. [London], Bloomsbury Publishing. Available from: https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies.
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Saunders, D. (2010) Documentary [online]. Routledge film guidebooks, London, Routledge. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781136978357.
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Shiel, M. (2006) Italian neorealism: rebuilding the cinematic city [online]. Short cuts, London, Wallflower. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850292.
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Vogt, N. and Divine girlhoods: filming young women in France’s BanlieuesVogt, Naomi (22AD) Divine girlhoods: filming young women in France’s Banlieues. Cinéaste (New York, N.Y.). [online]. 42 (3). Available from: http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Divine+girlhoods%3A+filming+young+women+in+France%27s+Banlieues&rft.jtitle=Cineaste&rft.au=Vogt%2C+Naomi&rft.date=2017-06-22&rft.pub=Cineaste+Publishers%2C+Inc&rft.issn=0009-7004&rft.volume=42&rft.issue=3&rft.spage=38&rft.externalDBID=BKMMT&rft.externalDocID=497731175&paramdict=en-UK.
Whalley, R. and Forgotten firm: a short chronological account of Mitchell and Kenyon, cinematographersWhalley, Robin (1AD) Forgotten firm: a short chronological account of Mitchell and Kenyon, cinematographers. Film history (New York, N.Y.). [online]. X (1). Available from: http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Forgotten+firm%3A+a+short+chronological+account+of+Mitchell+and+Kenyon%2C+cinematographers&rft.jtitle=Film+History&rft.au=Whalley%2C+Robin&rft.au=Worden%2C+Peter&rft.date=1998-01-01&rft.pub=Federation+Internationale+des+Archives+%28FIAF%29&rft.issn=0892-2160&rft.eissn=1553-3905&rft.volume=X&rft.issue=1&rft.spage=35&paramdict=en-UK.
