Armstrong, Richard. Understanding Realism. BFI, 2005, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781839021015.
Aufderheide, Patricia and Public intimacy: the development of first-person documentaryAufderheide, Patricia. ‘Public Intimacy: The Development of First-Person Documentary’. Afterimage, vol. 25, no. 1, 1AD, http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Public+intimacy%3A+the+development+of+first-person+documentary&rft.jtitle=Afterimage&rft.au=Aufderheide%2C+Patricia&rft.date=1997-07-01&rft.pub=Visual+Studies+Workshop&rft.issn=0300-7472&rft.volume=25&rft.issue=1&rft.spage=16&rft.externalDBID=IAO&rft.externalDocID=20198552&paramdict=en-UK.
Balcerzak, Scott, and Jason Sperb. Cinephilia in the Age of Digital Reproduction: Vol. 1: Film, Pleasure and Digital Culture. Wallflower, 2009.
Beattie, Keith. Documentary Display: Re-Viewing Nonfiction Film and Video. Wallflower Press, 2008.
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Braudy, Leo, and Marshall Cohen. Film Theory and Criticism: Introductory Readings. 8th ed, Oxford University Press, 2016.
Brink, Joram ten. Building Bridges: The Cinema of Jean Rouch. Wallflower, 2007.
Cinquegrani, Maurizio. ‘The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century’. Journal of British Cinema and Television, vol. 6, no. 2, Aug. 2009, pp. 207–19, https://doi.org/10.3366/E1743452109000880.
DiIorio, S. ‘Total Cinema: Chronique d’un Ete and the End of Bazinian Film Theory’. Screen, vol. 48, no. 1, Jan. 2007, pp. 25–43, https://doi.org/10.1093/screen/hjm002.
Drazin, Charles. ‘The Origin, Practice and Meaning of the Free Cinema Manifesto’. Journal of British Cinema and Television, vol. 11, no. 2–3, July 2014, pp. 294–311, https://doi.org/10.3366/jbctv.2014.0217.
Elsaesser, Thomas and Barker. Early Cinema: Space Frame Narrative. BFI, 1990, http://ezproxy.uwe.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2612581.
Fabe, Marilyn. Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Tenth anniversary edition, University of California Press, 2014, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780520959019.
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Filmwaves-Archive-The Zapruder Quotient. http://www.users.globalnet.co.uk/~filmwave/4documnt.htm.
Forbes, Jill, and Sarah Street. European Cinema: An Introduction. Palgrave, 2000.
Grant, Barry Keith. Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing. University of California Press, 2006, https://web.p.ebscohost.com/ehost/detail/detail?vid=0&sid=c13e53ca-298b-434a-a3b4-3e3276552653%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=306081&db=nlebk.
Grant, Barry Keith, and Jeannette Sloniowski, editors. Documenting the Documentary: Close Readings of Documentary Film and Video. New and Expanded edition, vol. Contemporary approaches to film and media series, Wayne State University Press, 2014, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780814339725.
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Hallam, Julia, and Margaret Marshment. Realism and Popular Cinema. Manchester University Press, 2000.
Higson, Andrew, editor. Dissolving Views: Key Writings on British Cinema. Bloomsbury Academic, 2016, https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474290654.
Hill. Sex, Class and Realism: British Cinema 1956-1963. British Film Institute, 1986.
Kahana, Jonathan, editor. The Documentary Film Reader: History, Theory, Criticism. Oxford University Press, 2016, https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780190226541.
Kolker, Robert Phillip. Film, Form, and Culture. Fourth edition, Routledge, 2015, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781315728025.
Krstiâc, Igor. Slums on Screen: World Cinema and the Planet of Slums. Edinburgh University Press, 2016, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781474406888.
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Kydd, Elspeth. The Critical Practice of Film: An Introduction. Palgrave Macmillan, 2011, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780230345270.
Lay, Samantha. British Social Realism: From Documentary to Brit-Grit. Wallflower, 2002.
Lyons, James, and John Plunkett. Multimedia Histories: From the Magic Lantern to the Internet. University of Exeter Press, 2007, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780859899352.
McLane, Betsy A. A New History of Documentary Film. Second edition, Bloomsbury Publishing, 2012, https://ezproxy.uwe.ac.uk/login?url=https://ezproxy.uwe.ac.uk/login?url=https://dx.doi.org/10.5040/9781501340222?locatt=label:secondary_screenStudies.
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Murphy. Sixties British Cinema. BFI, 1992.
Nagib, Lòâucia, et al. Theorizing World Cinema. I.B. Tauris, 2012, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780857721044.
Penz, Francois, and Andong Lu. Urban Cinematics: Understanding Urban Phenomena through the Moving Image. Intellect, 2011, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781841505794.
Piotrowska, Agnieszka, editor. Embodied Encounters: New Approaches to Psychoanalysis and Cinema. Routledge, 2015, https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781317636496.
Roe, Annabelle Honess. Animated Documentary. Palgrave Macmillan, 2013, https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781137017468.
Rouch and Feld. Cine-Ethnography. University of Minnesota Press, 2003.
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Saunders, Dave. Direct Cinema: Observational Documentary and the Politics of the Sixties. Wallflower, 2007.
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Sellors, C. Paul. Film Authorship: Auteurs and Other Myths. Wallflower, 2010.
Shiel and Fitzmaurice. Screening the City. Verso, 2003.
Shiel, Mark. Italian Neorealism: Rebuilding the Cinematic City. Wallflower, 2006, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850292.
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SUÁREZ, JUAN A. ‘City Space, Technology, Popular Culture: The Modernism of Paul Strand and Charles Sheeler’s Manhatta’. Journal of American Studies, vol. 36, pp. 85–106, https://search-proquest-com.ezproxy.uwe.ac.uk/docview/195668705?pq-origsite=summon.
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Ten Brink, Joram, and Joshua Oppenheimer, editors. Killer Images: Documentary Film, Memory and the Performance of Violence. Wallflower Press, 2012, http://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9780231850247.
Thompson, Kristin, and David Bordwell. Film History: An Introduction. 3rd ed., International ed, McGraw-Hill Higher Education, 2010.
Toulmin, Vanessa. Electric Edwardians: The Story of the Mitchell & Kenyon Collection. BFI, 2006.
Trifonova, Temenuga. European Film Theory. Routledge, 2009, https://www.vlebooks.com/vleweb/product/openreader?id=WofEngland&isbn=9781135902537.
Vogt, Naomi and Divine girlhoods: filming young women in France’s BanlieuesVogt, Naomi. ‘Divine Girlhoods: Filming Young Women in France’s Banlieues’. Cinéaste (New York, N.Y.), vol. 42, no. 3, 22AD, http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Divine+girlhoods%3A+filming+young+women+in+France%27s+Banlieues&rft.jtitle=Cineaste&rft.au=Vogt%2C+Naomi&rft.date=2017-06-22&rft.pub=Cineaste+Publishers%2C+Inc&rft.issn=0009-7004&rft.volume=42&rft.issue=3&rft.spage=38&rft.externalDBID=BKMMT&rft.externalDocID=497731175&paramdict=en-UK.
Whalley, Robin and Forgotten firm: a short chronological account of Mitchell and Kenyon, cinematographersWhalley, Robin. ‘Forgotten Firm: A Short Chronological Account of Mitchell and Kenyon, Cinematographers’. Film History (New York, N.Y.), vol. X, no. 1, 1AD, http://dd6lh4cz5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Forgotten+firm%3A+a+short+chronological+account+of+Mitchell+and+Kenyon%2C+cinematographers&rft.jtitle=Film+History&rft.au=Whalley%2C+Robin&rft.au=Worden%2C+Peter&rft.date=1998-01-01&rft.pub=Federation+Internationale+des+Archives+%28FIAF%29&rft.issn=0892-2160&rft.eissn=1553-3905&rft.volume=X&rft.issue=1&rft.spage=35&paramdict=en-UK.
